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Jan 10, 2012

New(ish) Trio


New project.
A Greater Horror
It’s a trio of piano, electric (fretless) bass, and drums.
Sort of post-jazz meets math-rock meets contemporary classical meets electronics.

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Sep 11, 2011

Back on that (digital) horse!

As you may or may not know, I’m a bit of a hardware nut. Specifically lo-fi hardware. Most of my music and setup has revolved around lo-fi/DIY hardware for years now.

I used to use a laptop, along with analog/lo-fi hardware before that but have since stopped using a laptop (in performance) altogether. I just love the feel/sound of gritty electronics.

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May 21, 2011

Life as an Academic


So I started my MA in Electro-Acoustic Composition last September and the University of Manchester and have just handed in my course work for this term. This officially completes my first year (doing it part-time) of the degree.

During this year I’ve really tried to embrace the academic thing, and put my all into everything I was doing. Continue reading »

Feb 10, 2011

16 Figures

16 Figures

I’m very excited to release “16 Figures”, a improv trio CD I recorded last year with Ray Evanoff and Iain Harrison. After recording Ray’s duo ATEMNT for The Noise Upstairs records last year I proposed an improv project to Ray, which quickly turned into a trio with Iain on sax. The original idea was to have lots of short improv pieces, but after rehearsing and discussing ideas, we scrapped the short pieces idea and just left it completely open. I sort of glazed over what the actual idea was from the start for the sake of everyone involved, but let me just say that it involved a movie with Vin Diesel….

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Feb 9, 2011

New Duo Recording Session

Duo Recording

After meeting and playing with Hervé Perez back when The Noise Upstairs’ Sheffield night started in early 2010 we got to talking about doing a recording together. It took a bit to work out the logistics of when/where and all that, but we finally got in the studio and recorded a doozy.

I played toy piano, Specto, Party Bus, Sidrassi, modified CD-player (ala Nic Collins), iPad (using Grid, Curtis and TOPLAPapp), Namasitar, and some misc percussion.

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Nov 26, 2010



I enjoy doing remixes. It’s not often I have an opportunity to do so as I don’t do traditional remixes (adding phat beats and the like) nor do I know many musicians who seek remixes.

When I do a remix I try to approach each differently, and try to re-imagine the song.

Here are a couple remixes I’ve done with some info on what I did.

The first I did for cottrell/findlay/hunter and Concrete Moniker.

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Sep 10, 2010

Social Networking – 1 : Rodrigo – 0


I hate social networking sites.

I find them really boring and artificial. Fake interactions between fake friends.

HOWEVER, with how popular these sites are becoming, as an artist, it’s important to be involved, and available with the technology. The only reason I’ve had a Facebook (the worst of these sites as far as I’m concerned) is for that very reason. Unfortunately (or fortunately?), people don’t go onto Facebook to check for music, much less experimental music. Continue reading »

May 27, 2010

On The Horizon

On The Horizon

So many many exciting things in the works. I will list some of them, in no particular order.

A trio record with Ray Evanoff (of Atemnt) and Iain Harrison that has been recorded and is in the process of being mixed.
A solo Drum/Keyboard improv record that will be called “P-P-P-Piano, P-P-Percussion”. Some recording done.
A solo album filled with a shmorgishborg of stuff called “Constantly Rodrigo”.
A duo album with Richard Knight on no-input mixer. We are in rehearsals at the moment.
A drum compilation album I was invited to play on. Other performers include Chris Corsano, Glenn Kotch, and Greg Saunier.


Jan 1, 2010

I Am Your Density

Density Cover

I am very excited to finally present “I AM YOUR DENSITY”. This CD has been in the pipe for over a year, being sidetracked by Drum & Bass and Jew Point Owe. It is finally done, and it is a doozy.

I AM YOUR DENSITY is a composition written for a group of improvisers. It was written in 2008 and has been performed twice, once at The Noise Upstairs, and the other time at The Arches in Glasgow, in conjunction with the Red Note ensemble. It was recorded in late 2008, and subsequently mixed by Dan Escauriza. It is being released on Noise Upstairs Records. Continue reading »

Sep 27, 2009

Drum & Bass: And The Horse You Rode In On

DnB Release

I am very excited to present “Drum & Bass : And The Horse You Rode In On”. This is a duo CD with PA Tremblay that was recorded in early 2009.

We shared a stage in 2008 and after exchanging some e-mails we decided to hit the studio. I showed up at Huddersfield University’s Studio with my ‘drums’ setup. PA had his 6-string fretless bass + Laptop setup, and we let it roll. After months of editing and mixing we carved out this gem. It’s 13 tracks of pure joy. The improvs range from textural laptop-scapes, to grimy stutter-hop, to some smooth jazz, and many other things that I can’t pretend to come up with names for (those above are inadequate enough). Continue reading »

Jul 19, 2009

Jew Point Owe : The Making Of

Jew Point Owe

What started off as a simple idea of writing a few klezmer inspired folk songs to improvise around, turned into over a year of writing, performing, recording, and eventually book-binding.

Jew Point Owe, my second full solo album, eventually ended up as an 11 track variety-fest, with tracks ranging from an acoustic guitar duo, to an electronic noise orgy, to a quasi-jazz freak-out.
The recording of the album was a challenge as each track is a different lineup and approach. The packaging was also a MASSIVE endeavor as it is being released on Concrete Moniker, as a limited edition of 40 hand-made (by me), hard-cover books. Real books. Each one contains the scores to the acoustic tracks, as well as artwork by Angela Guyton. Continue reading »

Jul 9, 2009

Circuit-Bending Workshop

Circuit Bending

I ran my first Circuit-Bending Workshop, as part of The Noise Upstairs’ new quarterly workshops. I limited it to only a handful of toys to guarantee that everyone had a ‘winner’ at the end, to avoid what happened to me with my first bend (nothing happened, at all). Continue reading »

Jun 8, 2009

We Need New Noise


Anton invited me to co-run The Noise Upstairs with him. And by invite, I mean, kick him in the ass, and organize a bunch of crap. Who did what is really besides the point. (It was me)
The point is that NUS is celebrating it’s two year anniversary with a bang. We’re adding a webpage, quarterly workshops, podcasts, and much much more.

If you’ve never come down to the jam night, or haven’t been in a while, no better time than now to get back into it.

May 23, 2009

DRUM & BASS : And The Horse You Rode In On

DnB Release

The recording session I did with PA Tremblay back in February is finally coming into shape. The title is going to be “DRUM & BASS AND THE HORSE YOU RODE IN ON”, and above is the cover art, as usual, by Angela Guyton. We’re still narrowing down tracks and working on general mix/edit stuff, but I’m very excited about the project. It’s all improvisations that range from textural laptop-scapes, to grimy stutter-hop, to some smooth jazz, and many other things that I can’t pretend to come up with names for (those above are inadequate enough).

We’re both very busy at the moment, but it should hopefully be out in a couple of months as, most probably, a self-released, hand silk-screened type thing.

Mar 5, 2009

JEW POINT OWE Reassessed


After finally finishing the seventh klezmer inspired composition, I decided it was time to rethink ‘Jew Point Owe’. When I originally set out to do the album it was going to be an EP, with three klezmer pieces, and three laptop pieces. As the actual recordings of the klezmer pieces grew in size (about 20 minutes for all three), the idea went from EP to LP. The original reason for only recording three, of the six and a half available at the time, of the pieces for the ‘acoustic’ half was I could only do the ones that would work as duos with me and Serg.

Since then I’ve begun working with a lot of new musicians, particularly Manchester’s Jazz scene. So I’ve decided to record the remaining ‘acoustic’ pieces for the release. I’m very excited about this as some of the pieces I had to leave out of the recording before were my favorites.

In addition to extending the length, ‘Jew Point Owe’ will also be released on Concrete Moniker, a Manchester Label.



Rodrigo Constanzo
-makes music and art
-lives in Porto/Manchester
-is a crazy person

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