dfscore 2.0 is here! dfscore 2.0 is a much improved and completely rewritten version of dfscore that I started working on a couple of years ago. The dfscore system is a realtime dynamic score system built to display a variety of musical material over a local computer network. The primary motivation for building the system was to allow for a middle ground between composition and improvisation.
But before I get into all of that, here is a video showing the latest version along with its premiere at the Manchester Jazz Festival:
This is what it looks like:
Some of the core ideas in the patch are based on sampling and processing modules I developed in The Party Van, another piece of software I’ve written. However, in Cut Glove I rebuilt everything completely from scratch, with tons of new features, more options, better overall sound, etc…. At the core of Cut Glove is karma~, a Max external I recently put out which can you read about in detail here.
Before I go into detail about what Cut Glove does, and more importantly, how the mappings are implemented, here is the first of three Cut Glove performance videos in this blog post:
The rest of this blog post will go into detail about the background, development, and technical implementation of Cut Glove.
Table of Contents
It started with a simple question: “Why compose at all?”
At the time I was working on what would later become iminlovewithanothergirl.com and was trying to figure out how to deal with composing for myself as an improvising solo performer using a new/invented instrument which is difficult to reproducibly control. This marked a big shift in my compositional thinking. I began moving away from precomposing discrete gestures and started focusing on pure improvisation. I carried on this line of thinking through multiple compositions and projects over the next three years and eventually produced a framework for thinking about improvisation – making decisions in time.
The dfscore system is a dynamic score display system built to function over a local network to display a variety of musical material. The primary motivations for building the system were to allow for a middle ground between composition and improvisation, and to be able to dynamically restructure and reorchestrate material on any given instrumentation.
The first performance utilizing the system will be on the 18th of September at The Noise Upstairs.
You can read more about the project here:
I’ve been working on a relay-based hardware repatching instrument for quite a while. The idea being that I could use my computer (running Max) to control a bunch of my weird (ciat-lonbarde) hardware synths.
Here is a video using attack-based random repatching of an Old Mr. Grassi using my drumset.
After over a year, I’m finally putting out a version of The Party Van, a free software system/instrument/environment that I built in Max. It’s also officially out of beta now and the version numbers will reflect that. It has gone from v09 to v1.0. It’s been about three years since I started working in Max again and started building what eventually became The Party Van. The software has changed radically since the last release, and has been ready to release for some months now. It was just a matter of making the time to finish updating the manual with all the new features/sections/etc….
And here are a couple of videos made using The Party Van.
It sounds like this:
And looks like this:
I recently put out the v05 version of my Party Van software, and it is looking/sounding great if I don’t say so myself.
Here’s a performance video using solo snare + electronics:
The Chocolate Grinder is a software emulation of a skipping/glitchy CD player.
It sounds like this:
And looks like this:
So a few months ago I experienced a big paradigm shift. I had been a lofi/hardware guy for many years, but when planning my next big change in hardware, I decided it would be easier to just built it in Max/MSP instead. So I started doing that.
I made this post back in September with the first module of what would become the setup I’m working on at the moment.
Well I’ve been hard at work since then!
As you may or may not know, I’m a bit of a hardware nut. Specifically lo-fi hardware. Most of my music and setup has revolved around lo-fi/DIY hardware for years now.
I used to use a laptop, along with analog/lo-fi hardware before that but have since stopped using a laptop (in performance) altogether. I just love the feel/sound of gritty electronics.
-makes music and art
-lives in Madrid/Manchester
-is a crazy person
Learn from me (for free!)
Want in on this?!
Read my PhD Thesis!
and Making Things,
sitting in a tree :
- 5 May: Student Performance - York