Just finished a tour with Takahashi’s Shellfish Concern. It was amazing. We played in Edinburgh, Glasgow, Manchester, London, Huddersfield, and finally Manchester. Some amazing highs (Edinburgh & London), and some horrible lows (Glasgow). Continue reading »
We shared a stage in 2008 and after exchanging some e-mails we decided to hit the studio. I showed up at Huddersfield University’s Studio with my ‘drums’ setup. PA had his 6-string fretless bass + Laptop setup, and we let it roll. After months of editing and mixing we carved out this gem. It’s 13 tracks of pure joy. The improvs range from textural laptop-scapes, to grimy stutter-hop, to some smooth jazz, and many other things that I can’t pretend to come up with names for (those above are inadequate enough). Continue reading »
What started off as a simple idea of writing a few klezmer inspired folk songs to improvise around, turned into over a year of writing, performing, recording, and eventually book-binding.
Jew Point Owe, my second full solo album, eventually ended up as an 11 track variety-fest, with tracks ranging from an acoustic guitar duo, to an electronic noise orgy, to a quasi-jazz freak-out.
The recording of the album was a challenge as each track is a different lineup and approach. The packaging was also a MASSIVE endeavor as it is being released on Concrete Moniker, as a limited edition of 40 hand-made (by me), hard-cover books. Real books. Each one contains the scores to the acoustic tracks, as well as artwork by Angela Guyton. Continue reading »
I ran my first Circuit-Bending Workshop, as part of The Noise Upstairs’ new quarterly workshops. I limited it to only a handful of toys to guarantee that everyone had a ‘winner’ at the end, to avoid what happened to me with my first bend (nothing happened, at all). Continue reading »
Anton invited me to co-run The Noise Upstairs with him. And by invite, I mean, kick him in the ass, and organize a bunch of crap. Who did what is really besides the point. (It was me)
The point is that NUS is celebrating it’s two year anniversary with a bang. We’re adding a webpage, quarterly workshops, podcasts, and much much more.
If you’ve never come down to the jam night, or haven’t been in a while, no better time than now to get back into it.
Finally finished another new instrument. This one isn’t a self-standing ‘instrument’ per se, but more an instrument to play other instruments with.
It’s basically a regular whisk, just made from scratch so that every prong of the whisk is isolated, and connected to an alligator clip on the other end of the cable, so that I can make connections by striking surfaces, or touching the whisks together, or grabbing them with my hands etc…
They are particularly useful with my Ciat-Lonbarde Kitten-Nettiks, but they can be used with any electronic device that can be driven by making/braking connections (nearly everything).
For more pictures and detailed info click here.
The recording session I did with PA Tremblay back in February is finally coming into shape. The title is going to be “DRUM & BASS AND THE HORSE YOU RODE IN ON”, and above is the cover art, as usual, by Angela Guyton. We’re still narrowing down tracks and working on general mix/edit stuff, but I’m very excited about the project. It’s all improvisations that range from textural laptop-scapes, to grimy stutter-hop, to some smooth jazz, and many other things that I can’t pretend to come up with names for (those above are inadequate enough).
We’re both very busy at the moment, but it should hopefully be out in a couple of months as, most probably, a self-released, hand silk-screened type thing.
I submitted “I AM YOUR DENSITY” to an open call for works for the Red Note ensemble, and it was one of the chosen pieces. I asked my ‘usuals’, and Angie, Anton, Ramsey, and Holly all agreed to take part, and make the drive up with me (Anton actually did the driving). Continue reading »
After several months of work, my band, Deaf To Van Gogh’s Ear, finally finished our EP entitled “We Call Them Accidents Because We Don’t Want Them To Happen”. It’s a five song EP and we’re having a release party at Kro Bar in Manchester on the 2nd of May. The EP will be available for sale on the night, as well as on my Store page, and the DVTGE page for £4. Continue reading »
After over a month of planning, and building I finished this new instrument. What this does is let me play the Sidrassi from my floor-tom, by mounting four piezo pickups inside the tom itself. I’ve already used the Sidrassi as part of my drum setup in a recording context, this only makes it easier to do live. The first performance with the Sidrassi-Tom will likely be in May, at my next solo gig.
For more pictures and detailed info click here.
After finally finishing the seventh klezmer inspired composition, I decided it was time to rethink ‘Jew Point Owe’. When I originally set out to do the album it was going to be an EP, with three klezmer pieces, and three laptop pieces. As the actual recordings of the klezmer pieces grew in size (about 20 minutes for all three), the idea went from EP to LP. The original reason for only recording three, of the six and a half available at the time, of the pieces for the ‘acoustic’ half was I could only do the ones that would work as duos with me and Serg.
Since then I’ve begun working with a lot of new musicians, particularly Manchester’s Jazz scene. So I’ve decided to record the remaining ‘acoustic’ pieces for the release. I’m very excited about this as some of the pieces I had to leave out of the recording before were my favorites.
In addition to extending the length, ‘Jew Point Owe’ will also be released on Concrete Moniker, a Manchester Label.
I took my ‘drumset’ setup, which as you can see by the pictures is hardly a drumset at all. PA used his 6-string fretless bass + laptop setup which I saw him perform with originally. We improvised for just under two hours and seemed to cover everything from subtle, texture-scapes, to blasts of lo-fi meets hi-fi noise, to stuttering glitch/sludge hip-hop. I look forward to hearing it back, and seeing what will become of it. Continue reading »
I’ve been a HUGE Charlie Looker fan since the Zs and have pretty much everything he’s put out. I’m super excited just to be able to see them live, much less perform with them.
I will probably be star struck that night.
I was invited to speak at the Max/MSP symposium by PA Tremblay after sharing a stage with him in December. I did a power-point presentation on my “lo-fi meets hi-fi” setup of Ciat-Lonbarde electronics (Rollz-5 and Cocolase specifically) and Max/MSP.
It was my first time doing a PowerPoint presentation, and all in all I felt it went extremely well.
Busy with Deaf to Van Gogh’s Ear, recording an EP, and doing quite a bit of gigging. Taihanis is back from vacation and rehearsing/preparing to get back to gigging.
I AM YOUR DENSITY is away being mixed by Dan Escauriza, a dear friend who did some engineering on my first release, “The Beatles White Album”. I’ve heard a pre-mix of it and it’s sounding great. I’m so glad he’s mixing it and not me. Continue reading »
-makes music and art
-lives in Madrid/Manchester
-is a crazy person
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