Jan 14, 2013

Snare + Microphone

Before I talk, here is some sights and sounds:

During my summer tour last year I improv-ed my way into using a condenser mic as a friction implement. The sounds were harsh, but very controllable and with a great continuity between vastly different types of sounds/playing. I instantly knew I was on to something, and wanted to explore this further.

Fast forward to one month ago.
I was starting to plan/conceive my next composition, having recently started a PhD at the University of Huddersfield, and wanted to explore this microphone/snare thing further. At the same time, I had decided that I was going to move away from the “middle man” of writing a composition, for myself, to perform. (More on this, and the implications of it in a future post). I decided to use this very limited mode of playing as the backbone of this exploration. No other implements, no electronics (other than amplification/distortion), no “easy” solutions to the problem I was trying to solve.

This video is not that solution. It is just a document of some of the sounds and playing techniques I’ve been exploring.

  

2 Comments

  • [...] that he, too, has been working on feedback-based instrument playing. The idea is to follow up my snare/feedback piece, iminlovewithanothergirl.com (score), with a piece for flute/feedback + snare/feedback. This will [...]

  • […] and ialreadyforgotyourpussy.com (for amplified wind instrument and amplified snare). I made a video of iminlovewithanothergirl.com at the start of the year demoing some of the DMX light interaction stuff I had been developing for […]

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ABOUT

Rodrigo Constanzo is a performer and composer living in Manchester, England. He is an avid improviser and performs regularly using home made electro-acoustic, and modified electronic instruments.

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